Monday, June 29, 2026

Monday Side-Session: A Passel of Preludes


For today’s side‑session, we’re spinning a dozen memorable versions of Duke Ellington’s Prelude to a Kiss.

There have been zillions of recordings over the years, but I’ve distilled a playlist of twelve that carry particular historical or musical interest to me anyway!

Himber Hits It First


Although Duke’s and Johnny Hodges’ 1938 recordings were popular, there seems to have been only one contemporary cover: Richard Himber and his Rhythmic Pyramids Orchestra, with vocalist Stuart Allen, on Victor in 1938:


The tune adapts well to a more “dance band” style, but oddly enough, no other bands or labels picked it up at the time.

A Novachord Nicety


The next version is more of a novelty. Ted Steele and his Novatones recorded it using the early Novachord synthesizer for the 1940 Decca album Mood Indigo, which featured Ted’s interpretations of Ellington songs:


Very intriguing! Kind of ethereal, if you will. And an early "concept" album!

Brown's Brief Blast


After that, “Prelude to a Kiss” went dormant for a few years — but by the mid‑1940s, sparks began to fly again. Les Brown recorded a V‑Disc version in 1944:


It’s a nice reading, but since it wasn’t commercially issued, it didn’t make much of a dent.

Carter’s Capitol Caress


The next commercial release seems to be Benny Carter’s 1947 Capitol recording:


A gorgeous showcase for Benny’s alto.

Getz Goes Nordic


By the early 1950s, the floodgates opened. Here’s a 1951 Swedish side by American tenor star Stan Getz:


Very cool!

Teddi Takes the Torch


We finally get another vocal version in 1953, when Teddi King included it on her Storyville album ’Round Midnight:




The simple piano accompaniment by Beryl Booker lets the lyrics shine.

Sassy Sarah Swoons


A flurry of vocal versions followed, including this one from Sarah Vaughan on her 1954 EmArcy album Images:


The song fits The Divine One like a glove.

Eckstine Enters Elegantly


And it’s a Warehouse law that I include any performance of an Ellington number by Billy Eckstine, so here he is on MGM, also from 1954:


The album that track comes from — I Let a Song Go Out of My Heart — is naturally awesome. Oh, and I think it's also mandatory that I say Mr. B" at least once!

Gleason Gets Misty


We shift gears with this lush 1957 version from Jackie Gleason’s Capitol album Music to Make You Misty:


The alto solo is by Toots Mondello — a name that sounds like something Jackie might invent (I believe "Toots Mondello" founded the fictional Raccoon Lodge on The Honeymooners), but Toots (born Nunzio) was a respected big‑band veteran.

Vic's Velvet Version


The lushness continues with Vic Damone’s 1958 Columbia album Closer Than a Kiss:


Lovely backing from Frank DeVol to support Vic’s great voice.

Joya's Jewel-Box Gem


Jumping ahead to 1965, we meet up with my favorite Ellington singer, Joya Sherrill, who included the tune on her 20th Century Fox album Joya Sherrill Sings Duke:


Johnny Hodges and Cootie Williams back Joya on this track — just awesome!

Hodges' Homecoming


And speaking of Mr. Hodges, we’ll sneak back to 1962 for our closing selection: Johnny’s version from his Verve album The Eleventh Hour:

A gorgeous way to bring us full circle to 1938.

Do you have a favorite version — maybe one I didn’t include? Let me know in the comments!

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