Showing posts with label Eddie Stone. Show all posts
Showing posts with label Eddie Stone. Show all posts

Thursday, July 23, 2026

Threaded Thursday: Just Fine


I’d talked a bit yesterday about Freddy Martin’s big 1941 hit Piano Concerto in B‑Flat originally being the B‑side of its Bluebird single, and I’d also mentioned vocalist Eddie Stone, so let’s pick up that thread.

Eddie Brings the Energy


Here’s the intended A‑side, Why Don’t We Do This More Often?, with Eddie on the vocal:


Eddie’s bouncy, good‑natured style is all over this — he had that light, smiling delivery that made even a simple pop tune feel like a little party.

I remember reading an interview with Freddy Martin where he said the publisher and/or songwriters (Charles Newman and Allie Wrubel) weren’t thrilled that their song was paired with “some classical piano thing” on the flip. I’m sure the mountain of royalties changed their minds once the “classical piano thing” became one of the biggest hits of the year!

Duet Delight


The most popular version of Why Don’t We Do This More Often? wasn’t Martin’s, though — it was Kay Kyser’s Columbia recording, a duet by Ginny Simms and Harry Babbitt:



I really love this version. Ginny and Harry were two of my favorite band vocalists, and they always blended beautifully — warm, relaxed, and effortlessly musical.

I’ve mentioned before that by the early 1940s the Kyser band had broken free from the strict novelty formula of the 1930s. This cut is Exhibit A. No gimmicks, no winks — just clean, confident dance‑band pop with two pros at the mic.

As Ginny says, everything’s just fine!



Tuesday, March 17, 2026

St. Patrick's Day Bonus!


Happy St. Patrick’s Day!

In keeping with the situation, let’s pull a shamrock from the stack of 78s and spin a fun Irish‑themed novelty from 1942.

Here’s Freddy Martin and his Orchestra on Bluebird Records with “Rose O’Day.”

That’s our old friend Eddie Stone handling the vocal. He fits as well with Freddy's band as he did with Isham Jones's!

I once heard this song described as an “Irish ‘Hut Sut Song,’” which absolutely nails it — the same bouncy nonsense‑syllable charm, just with a brogue and a wink. A fun little nugget from the pot of gold!


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