Next up in our survey of Duke Ellington songs is the
unstoppable “Rockin’ in Rhythm,” first recorded in 1931. This tune
became a staple of the Ellington book for decades, and for good reason—it
really does rock.
The First Recording: The Harlem Footwarmers (1931)
Duke's first recording of the song was released under the
"Harlem Footwarmers" name on Okeh Records. It’s a perfect snapshot of
the band’s high-energy transition into the 1930s.
The Carney Connection: The heart of this song belongs to baritone saxophonist Harry Carney. The song was actually built around a riff Harry was "noodling" with during a rehearsal. Duke heard it, stopped the band, and said, "What was that? Play it again." Duke then built the arrangement around it, creating the ultimate showcase for Carney's massive, anchor-like tone—a sound that would stay in the band for the next 47 years!
The Organ Twist: Milt Herth Trio (1938)
A fun, bouncy take — and unmistakably Herth.
The Big Band Lift: Charlie Barnet (1940/1947)
Charlie Barnet was no stranger to Duke’s music, and he cut a
terrific version of “Rockin’ in Rhythm” for Bluebird in 1940:
Sounds great!
Barnet must have had a special affection for the tune, because he returned to it in 1947 for the independent Apollo label - this time with legendary tap dancer Bunny Briggs providing a joyous scat vocal:
The Two‑Sider: Lionel Hampton (1948)
The LP Expansion: Ellington ’55 (1954)
The Songbook Swing: Ella & Duke (1957)
The Trumpet Titan: Harry James (1960)
The Scat Finale: Maxine Sullivan & Bob Wilber (1969)
Maxine’s cool delivery paired with Wilber’s soprano sax (channeling Sidney Bechet) is a perfect 1960s nightcap for a 1930s classic!
From Harry Carney’s original baritone riff to Ella’s fireworks, Rockin' in Rhythm never seems to age. Do you prefer it as a pure instrumental burner, or does the scatting take the prize?






No comments:
Post a Comment